Edward Lee

 
 
 
 
 
 
 
 
 
 
 
 
 

Oyster River Pages: What is the most challenging aspect of your artistic process?

Edward Lee: Because I have to, basically. It is as necessary to me as sleeping and eating. I can go a while without either, but after too long it affects my health.


ORP: What do you think is the best way to improve writing and/or artistic skills?

EL: Practice. And absorbing as much of writing/art as you possibly can.


ORP: What books have you read more than once in your life?

EL: Alice In Wonderland and Winnie The Pooh


ORP: Do you know more than one language? How does this influence your art and/or writing?

EL: I know some smatterings of Irish, but I do not believe it has any influence on my work.


ORP: What does vulnerability mean to you as an artist and/or writer?

EL: Putting what you deem necessary on the page/canvas without thought to how it will be viewed or understood.


ORP:
Do habits help or hinder creativity? Why or why not?

EL:
It depends on the artist. Some artists need to work a certain way every time, while others feel hindered by habits and need constant change to create. Personally, I thrive on habits, writing everyday, painting everyday too, mostly at the same times every day. Habit, for me, is a necessary aspect of practice.

 
 

Edward Lee is an artist and writer from Ireland. His paintings and photography have been exhibited widely, while his poetry, short stories, non-fiction have been published in magazines in Ireland, England and America, including The Stinging Fly, Skylight 47, Acumen and Smiths Knoll. He is currently working on two photography collections: 'Lying Down With The Dead' and 'There Is A Beauty In Broken Things'. He also makes musical noise under the names Ayahuasca Collective, Orson Carroll, Lego Figures Fighting, and Pale Blond Boy. His blog/website can be found at https://edwardmlee.wordpress.com

VIEW Edward’s VISUAL ART FROM ISSUE 6.1 “Limitless Reach” HERE.

Eneida Alcalde