Poetry By Ann Chinnis

The Struggle Here

isn’t the sea–

swift as loss–

or the coral reef

fighting the sea’s

intrusion.

It’s not from the coconut palms,

their hollow fruits

& brown fronds

singing an end.

No, it’s the hermit crabs.

 

As I sit on the beach,

one looks at me sideways

with two fat,

stalked eyeballs. It lugs

a home scrubbed

of color, cracked

through its vertical

helix.

 

On this beach, refuge

for the stubborn,

the hermit crab scribbles

a message in the sand

I can’t read,

but it seems to be telling me

something—

about its hand-me-down

shell,

about growing old.

 

This headstrong survivor. But now,

the sky

is streaked with orange,

and my wife yells over the waves,

“Annie, look up.”

 
 

Disdaining Her Apron

and “The Joy of Cooking”, my mother

nudged a champagne flute

from the top shelf of the china cabinet,

filled it halfway with Perrier and Jouet

and tendered it to me, whispering

into my ponytail, “Every twelve-year-old girl

should learn how to hold her liquor.”

 

That New Year’s Eve, we drank

to ’68, to change, to Gloria Steinem,

to each other. I was giddy from the fragile

rim that curved towards my

teeth, from the bubbles’ surprise,

from the suspense of fizz.

When I toasted my mother

for the fourth or fifth time,

I shattered the flutes in our hands.

We rang in the New Year

 

on our knees–laughing, plucking shards

off the counter, mopping the floor.

You could run through our house

in white socks, and the floors

would be blameless. You could nab

Cinnamon on the spice rack

between Bay Leaves and Cumin. You would

surprise my mother’s Dixie Cups

of vodka behind the manual Smith-Corona

in her attic office, where she edited

the Phi Beta Kappa Quarterly. My mother

was the same age as Anne Sexton, author

 

of “To Bedlam and Part Way Back”.

“There is no map,”

Anne wrote. Time travel across the lexicon

of a mother’s psyche: Bedlam

for a mental hospital in London,

an archaic diagnosis,

the abyss of an accomplished woman. Did

my mother experience bedlam

as Anne did—a locked room

disguised as ambition’s cure?

 

Six years later, Anne Sexton was dead,

and my mother, sick of drinking,

committed herself to the “The Institute for Living”.

I drove from med school

each weekend to visit—my car door

closing like a New Year’s Eve toast

to the sweet resolve

of our thin flutes clinking.

 
 

Ann Chinnis is the author of two poetry chapbooks- “Poppet, My Poppet” and “I Can Catch Anything” and the recipient of a Pushcart Prize, 2025. Her work has been published in Sky Island Journal, River Heron Review, Gyroscope, Oyster River Pages, among others. She is an Emergency Physician and lives with her wife in Virginia Beach, Virginia. You may follow her on Instagram @achinnis.