Kendrick Loo

 
 
 
 
 
 
 
 
 
 
 
 
 

ORP: What inspired you to begin writing or creating? Has that source of inspiration changed throughout your life?

Kendrick Loo: Shame probably lies at the origin of my poetry. Growing up in a Christian family, I didn't feel like I was allowed to have the life I wanted: whether that be a crush, a boyfriend, or a family. It is a terrible thing, to have these life-changing experiences distorted by fear. When I look back at my first poems, I see my desire to turn shame into something I could understand. Now, my poems require me to arrive at a place beyond shame, or permit myself to live without it.

ORP: What does success as a writer or artist mean to you?

KL: I'm happiest when a poem emerges with a certain measure, distance, or perspective. Most of my drafts do not achieve this; they tangle in editing and never gather resonance. Still, if I can return to a poem and see the workings of my earlier self, then I have at least captured what Eavan Boland's calls memory's "flawed translucence".

ORP: What books have you read many times? 

KL: Crush by Richard Siken has followed me across multiple countries, and was the first book I packed into my suitcase when I knew I was going to live with my husband in the Netherlands.

ORP: What is the most valuable piece of advice you’ve been given about writing or creating? What advice would you give to another writer or artist?

KL: Just as a painter goes outside to paint en plein air, or a pianist practices their scales, I believe that poets will benefit from engaging with and trying their hand at poetic forms.

Kendrick Loo (he/him) is a Singaporean poet and reviewer. Nominated for the Pushcart Prize and Best of the Net, his poems can be found in fourteen poems, ROPES Literary Journal, Moist Poetry Journal, and Sundog Lit, amongst others. He currently reads for Kopi Break, a literary magazine featuring new voices in Singaporean poetry.

Read kendrick’s poem “self portrait as hou yi” and “elicit” in ISSUE 9.1.

 
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