The Essays
In my sophomore season with Oyster River Pages, the newness of life I expressed last year remains all-encompassing. I suspect this is no longer a passing sensation of post-graduate exploration, but rather indicative of the new reality of our age–one in which unprecedented government overreach, humanitarian crises, and senseless discrimination plague our world and occupy our screens, our minds. The onslaught of digital noise has paralytic consequences, yet these essays remind me of our most enduring form of resistance: the communities we build, the people and places we connect with, the love we share.
These writers allow us to glimpse into the bonds they have forged that nourish them–they lay bare the unlikely friendship struck between neighbors and the wisdom that courses through motherhood; they navigate the solace and ache of a homecoming as your authentic self with a partner at your side, however fleeting; they confront our complicity toward eutrophication, and insist on mitigating environmental degradation, on rescuing our planet from a hypoxic demise.
Though the world is unknowable, its people are not–these essays prove as much. I’m proud to invite you into their company, to witness writing that rejects complacency, and roots themselves firmly in the connections that matter most.
—Brian Borchard
Creative Nonfiction Editor
Developing this issue with Brian was both joyful and transformative. We read over 150 submissions together, all of which were written by authors who were brave enough to leave a piece of themselves with us in the trenches of Submittable. I began working on this issue at a major turning point in my life, filled with unexpected challenges, new dreams, and the shuddering knowledge that connections I’d made for many years were drawing to a close. As Brian and I began accumulating pieces for this issue, I started to see a pattern in the work of our wonderful authors. From a house across the street to front lawns to high school reunions, all of the pieces we have chosen to publish are deeply rooted in meaningful connections in the authors’ worlds. Reading, crying over, and editing these essays has not only made me love these fabulous authors and the power their words effortlessly harbor, but they’ve also grounded me in fascinating, loving connections when my own ties to people and places I love have become distant. I’ve hoped for many things over the course of helping Brian bring this issue to life, but now, more than anything, I hope that readers will explore these essays with open hearts, finding meaningful connections to these pieces and their authors in the way only powerful writing can help us find.
—Kylie Hoy
2025 Creative Nonfiction Editorial Intern
The Shiawassee River
Claire Galford
About an hour or two after we go to bed, a loud thump on the wall outside our room wakes me up. Another thud follows, then swearing and the sound of punches. Rose sits up. “What’s going on?”
“There’s a fight in the hall.” I slip out of bed and prop the back of a chair under the doorknob to make it harder for someone to break down the door, accidentally or not. More grunts, punches, and wall crashes.
A Journey of a hundred feet: Told in Triptych
Krystal A. sital
Her red hair flickers like an open flame under the sun, the bright color in direct contrast to her age. We’ve just moved in and she’s my new neighbor who has crossed the hundred-foot distance over a busy three lane county road to invite me into her home. It’s a road I’ve already vouched not to cross very often with a little child. But busy road aside, I’m excited to explore this new venture—our first house in the suburbs in this country—and though this woman isn’t who I’d fantasized as my first neighbor-friend, I follow her.
Well Nourished
Ara Varma
Seen from above, my hometown in the sticky part of Virginia is a quilt of pristine lawns awaiting their next preventive maintenance. The lawns’ glowing green comes from the relentless sunshine and rainwater. Yet, their uncanny faultlessness comes from their chemical diets. In the stillness of early summer, each class of lawn has a unique character.