The Red Belt

Diane Melby

Diane Melby reads "The Red Belt"

Today I'm perusing the goods at Twice is Nice Thrift,

thinking about my mother’s belt—three inches

 

of polished leather and a quarter inch thick,

it lay coiled in the drawer of her cherry-wood dresser,

 

framed by white dime-store panties and pointy bras,

like a badge proving that she’d once been someone

 

other than my mother. It’s that same sorry story—

the one where war steals the boys,

 

grants women good jobs, then dismisses them

replaced by broken men. And I can barely stand it—

 

think of her tightening that belt, as red as an executive’s tie,

calves stretched firm in glossy pumps as she sprints

 

to catch the Manhattan bound train—take her place

in what she thought was the rest of her life.

 

Sometimes I would sneak into her room, wrap the belt

around me, press its steel tongue into my skin until

 

I felt I could be somebody too. After mother died

I argued with my sister. I said blood is blue

 

before it’s oxygenated, she said no it’s always red, as red

as mother’s belt and I recalled how mother taught me

 

to loop the strap between both fists, squeeze it to form a mouth,

give it a snap—make a sound loud enough

 

to crack down walls.

 
 

Diane Melby’s poetry appears in over 15 literary journals, including Susurrus, Gyroscope, and Thimble. She received the Elizabeth J. Urquhart prize from the Poetry Society of Virginia in 2026. Melby is the founder of the Salon for Creative Expression @ www.dianemelby.com; an online community dedicated to sharing creative works spanning the literary, visual, and performing arts.