Elizabeth Rosen

 
 
 
 
 
 
 
 
 
 
 
 
 

ORP: What inspired you to begin writing or creating? Has that source of inspiration changed throughout your life?

Elizabeth Rosen: I suspect that I wanted to do what other writers had done for me when I was a voracious reader as a kid: that is, keep me company when I was lonely, keep me enthralled when I was bored, give me some excitement when life was mundane, and teach me about the world.

ORP: What does success as a writer or artist mean to you?

ER: There's really nothing that compares to a reader telling me that a story I wrote moved them.

ORP: Does writing or creating energize or exhaust you? What aspects of your artistic process would you consider the most challenging or rewarding?

ER: One of my favorite things about writing is how they are like constructing and putting together a puzzle. Nailing an ending is like slotting the final piece into a 1500-piece puzzle. There is the most satisfying and almost tactile <click> when it happens.

ORP: What books have you read many times? 

ER: Helen DeWitt's The Last Samurai.

ORP: How does writing/art influence your worldview, and how does your worldview shape your writing/art?

ER: In general, I don't think my writing influences my worldview or vice versa. I just think that it makes being part of the world more bearable and delightful.

Colorwise Elizabeth Rosen is an autumn. She mourns the loss of Tab, always chooses Funyauns over Cheetos, and still wants her MTV. Her stories have appeared in places such as North American Review, Baltimore Review, Pithead Chapel, Flash Frog, and New Flash Fiction Review. She remains convinced that Kurt Vonnegut and Mr. Rogers were modern-day prophets. Learn more at www.thewritelifeliz.com

Read Elizabeth’s Story “A Six-Year-Old Takes on Form N-400 (With Some Help from Mrs. K)” FROM ISSUE 8.1 Here.

 
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