Nic Guo

 
 
 
 
 
 
 
 
 
 
 
 
 

ORP: What inspired you to begin writing or creating? Has that source of inspiration changed throughout your life?

Nic Guo: Young adult fiction and Astro Boy. I still draw on media (although the media I consume has changed), but I now mostly draw on people and places I’ve encountered or heard of.

ORP: Who do you consider to be your creative ancestors and contemporaries for your art and/or writing? How does your creative work converse with theirs? 

NG: Roberto Bolaño, Yu Hua, Raymond Carver, to name a few. I find Bolaño to be singular and difficult to emulate, but I admire him greatly. I aspire to borrow elements of Yu’s keen sense of sociopolitical strife and Carver’s economy. Outside of literature, Osamu Tezuka, Abbas Kiarostami, and Edward Yang all serve as inspirations.

ORP: Do you know more than one language? How does this influence your art and/or writing?

NG: I have some fluency in Mandarin and the Shanghai dialect. Art and writing is an exercise in translation, not just inter-linguistically, but in translating meditations, emotions, and daydreams. I appreciate and try to produce translation that carries over elements of its native culture/tongue.

ORP: What is the most valuable piece of advice you’ve been given about writing or creating? What advice would you give to another writer or artist?

NG: Write every day. Or, as much as you can. Don’t forget that writing is inextricably linked to the geo-sociopolitical and that it cannot look away from the world.

Nic Guo is a finalist for the American Best Short(er) Fiction Prize. He is a practicing attorney from Shanghai, China, a graduate of Wesleyan University, and currently lives in San Francisco where he defends workers’ rights.

Read Nic’s Story “Up in the mountains, are you still my pal?” FROM ISSUE 8.1 Here.

 
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